The 2-wide Flypack can be equipped with up to ten cameras, instant replay, slow motion, graphics, Internet streaming and a satellite uplink.
The 2-wide Flypack can also be used from inside the Sprinter and contains all the electronics necessary for a full production, with a smaller footprint. If you want to get closer to the action or need shoot in a distant location, no problem. The Flypack can be removed in less than five minutes.
All TV Pro Gear Sprinter/Flypack systems support 4K, 1080i, 1080p and 720p at all of the common frame rates. In addition, TV Pro Gear Flypacks are switchable from 110V to 220V. Up/Down and Cross Conversion are standard on both input and output. This enables TVPG Flypacks to input or output component, composite and SDI signals. They are truly World Standard systems. One of these systems was purchased and used to broadcast by M-One Productions in Jamaica.
Every Flypack/Sprinter is custom built to mil-spec standards. You choose the cameras, tripods, recorders, switcher, Internet encoder, sound mixer and microphones. We build it, test it and train your staff. This style system has been used to shoot at the Apollo theatre and multiple concert venues throughout the country and the world.
TV Pro Gear’s Flypacks are highly mobile, versatile and ready to handle any production.
Camera Options
TV Pro Gear Flypacks work with any camera from inexpensive JVC and Canon cameras all the way up to high-end cameras from Sony, Panasonic, Hitachi and Ikegami. The cameras are attached to the Flypak via fiber optic cable. Remote paint panels enable the operator to match the cameras for brightness and color balance. Up to ten cameras can be accommodated including robotic.
Recorder Options
Customers choose from a variety of tapeless recording formats including Sony XD-Cam, P2, AJA Ki Pro or Black Magic SSD.
Switcher Options
TV Pro Gear Flypacks are available with Ross, For-A, Panasonic, Sony or Newtek Tricaster switchers. The switcher can be specified with one or two Mix/Effects banks. The Flypak can accommodate up to 24 inputs.
Titles/Graphics
For titles and graphics, customers choose from Chyron, Ross or Harris. One or two channels are provided depending on requirements.
Replay/Slow Motion
Up to ten channels of Instant Replay/Slow-Motion is optional from EVS, Newtek or GVG.
Intercom
TV Pro Gear Flypacks come standard with a Clearcom 2-Channel Intercom. So, the director and camera crew be on one channel while the stage, lighting and sound crews use the other channel. 4-Channel Digital and 16-Channel Matrix system are also optional. Four channels of IFB for queuing talent are standard. RTS, Telex or Riedel are optional.
Mixer & Mic Options
The Flypack comes with a 40-Input digital audio mixer. A 16-input stage box is connected to the Flypack via CAT5 cable. Four Sennheiser wireless microphones are standard. Up to can be added.
Routing/Distribution Options
All devices in the Flypack are connected to a 40 by 40 HD-SDI video router for easy signal assignment. For larger systems, a 64 X 64 router is available. The access panel on the side of the Flypack enables users to feed signals to monitors or projectors.
Video Formats Options
All formats of both standard and high definition can be input or outputted – including component, composite, SDI, HDMI and DVI. All TV Pro Gear Flypacks are menu switchable between 1080i and 720p. They can even shoot in PAL and NTSC if required.
Encoder
An h.264 encoder is optional for streaming video to the Internet in HD. We install the same encoder used to stream the Olympics and NFL football. So you can be assured your streaming video quality will be second to none.
Power & Backup
The Flypack draws less than 15 amps so it can be plugged into any standard outlet. Should you lose power, the Flypack can run up to one hour on battery backup. TV Pro Gear Flypacks are auto switchable from 120V to 220V.
Set-up Time
Setup time is drastically reduced because all of the components are contained in a single jig-welded, shock mounted steel frame. This drastically reduces setup time. In fact, typical time from arrival at the location to being ready to shoot is less than fifteen minutes.
Reliability
Flypacks built by other companies use multiples cases that have multiple cables that must be connected once you arrive at your shooting location. Inevitably, these cables wear out, get damaged or get lost resulting in frustrating delays.
Accessory Case
The Flypack comes with an accessory case that holds the cameras, tripods, cable reels, microphones and headsets. So, with only two boxes you can shoot anywhere in the world.
Training
Flypack buyers receive in-depth training on all components and the system as a whole. In addition, they are provided with a full set of CAD drawings and manuals (both written and online).
Have a question? We are here to help. Send us a message and we’ll be in touch.
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